I'd like to start on a personal note - with an experience
that I had when I was 11 - an experience of leaving my body. I was dozing
on my bed one hot summer day when I became aware of an intense purple
light in the room. Suddenly, I felt my eyes closed by what felt like
an irresistible power. The bed beneath me opened as if it were cut by
a knife. In terror I struggled to open my eyes, shout for help, move
my arms and legs, but my body refused to respond. I was pushed down
through the opening and the bed closed over me. I found myself going
through a long tunnel with a rushing and roaring noise like an avalanche
or a waterfall which absolutely terrified me. Suddenly, I was ejected
from this tunnel into total silence. I heard a voice say to me: "I Am."
It was going to say something else but my fear cut it short and I shall
never know what the rest of the sentence might have been. I found myself
re-entering the tunnel and plunged once more into the roaring, deafening
vortex of sound, emerging from it to find myself lying in my bed, thankfully
alive in a familiar world. As you can imagine, this experience set the
trajectory of my life in terms of trying to find out what that voice
was, what that experience meant - and eventually, what consciousness
was. So, it was that experience, so long ago, which has ultimately brought
me to this conference.
----- Looking back now, I can see that
this event precipitated me into a dimension of consciousness that other
people did not know about and that I might never have discovered if
it had not happened to me. This secret knowledge became the foundation
of my own individual myth - what throughout my life has held supreme
meaning for me. I am coming to this talk from this inner experience,
from an awareness that a wider, deeper consciousness than our own may
be trying to reach us, trying to make itself known to us.
----- I have chosen as an opening slide
this picture of a man putting his head beyond the edge of a familiar
universe, going beyond the space/time barrier and gazing in wonder at
another dimension of reality. So here is an image of exploration, an
image of breaking through, an image of quest and discovery. I think
we are today in our understanding of reality where the Portuguese explorers
were in the fifteenth century when they set out on their great sea voyages
- that is to say - we are moving from a flat earth to a round earth
image of reality. ----- As
I was preparing this talk, I came across a sentence in a book by Bede
Griffiths called Return to the Centre. This is what he wrote:
The evolution of matter from the beginning leads to the evolution
of consciousness in man; it is the universe itself which becomes conscious
in man…It is the inner movement of the Spirit, immanent in nature, which
brings about the evolution of matter and life into consciousness. (1)
I find this an immensely exciting
idea because it revolutionises our view of nature and of spirit. I believe
this understanding, so beautifully expressed by him, is the basis of
a new paradigm that is coming into being. Consciousness seems to be
like a plant, an organic growth, which has its roots in an unknown depth.
Its flowering is a potential within us - a potential that we have still
to experience, that only a few pioneers of consciousness have experienced.
As we evolve, so we become intelligible to ourselves; as we grow, so
we experience the true nature of reality.
----- So the great questions in my mind
over the last twenty years have been: where did our present dualistic
view of reality originate? When did we split life into two polarities,
the one masculine, the other feminine? I believe our view of reality
has been formed by two powerful myths, which I shall come to in a moment.
Because of their profound influence on previous civilisations and, through
them, our own, we have come to divide life or reality into two aspects
- spirit and nature, mind and matter. But, as I hope to show in this
talk, I believe these are arbitrary divisions, whose origin may be found
in the far older experience of our separation from nature, which has
been a painful but necessary phase of our evolution.
Partly because of this experience
of separation and partly because of the accelerated development of the
mind in the last 5000 years, human consciousness has also come to be
divided in two - into mind and soul, head and heart. We are now virtually
unconscious of our soul and our connection to the greater matrix of
nature out of which we have evolved. It is difficult for us to speak
to each other as people spoke to each other in the past, because of
our fear of appearing non-rational. A part of ourselves is almost speechless,
autistic. Today we live in our head, in our mind, in what we believe
is the supremely conscious, most interesting and powerful part of ourselves.
Nature, soul and heart - the realm of the non-rational - have been left
out of the equation. Yet, I believe that in the story of the Sleeping
Beauty, the Prince and the Sleeping Beauty symbolise these two aspects
of our consciousness which belong together as bridegroom and bride.
----- If I were to ask, "What is beyond
the brain?" I would answer, "the lost realm of soul." In the past, the
word soul carried meaning in a culture and the greatest artists, poets
and mystics were engaged in connecting people with their soul. Today,
however, the word may convey nothing to a culture which is focused entirely
on the external world and knows nothing of an inner life, an inner,
imaginal life. For such a culture, which might be described as a purely
sensate one, in the sense that the philosopher Pitirim Sorokin used
that word, (2) focussed on the experience of the
senses alone, the soul is asleep, dissociated, unable to communicate
with the surface consciousness that directs our lives. Our brilliant
technological culture with its ruthlessness and its brutality and ugliness
inflicts intolerable stress on us and it reflects, I think, a dissociated,
unbalanced consciousness and a loss of soul.
----- Fairy tales are very old: they portray
the landscape of the soul; they speak with the voice of the soul and
carry many levels of meaning. Who can say where the story of the Sleeping
Beauty originated and how it was transmitted from generation to generation?
It may be descended from long-forgotten Bronze Age rituals - rituals
which celebrated the sacred marriage of heaven and earth and others
which mourned the annual death of the life of the earth and its regeneration
in spring. The sacred marriage of king and queen, prince and princess
is an image which is also woven into the rich tapestry of hidden or
lost mystical traditions - Alchemy, Gnosticism and Kabbalah.
----- I see this magical story as a metaphor
for our own time and the urgent need for a marriage between our head
and our heart, between our too-literal, linear mind which knows nothing
of a deeper ground of consciousness, and our imaginal, instinctual,
creative soul. This beautiful painting of the Sleeping Beauty by Burne-Jones
conveys, I think, an image of the soul. This deep instinctual part of
ourselves which is the matrix of our ability to imagine and create,
works through the principle of attraction. It is through our instinctual
soul and its longing for relationship with what is "other" that we are
most closely connected to nature and the Kosmos. It is imagination and
instinct which draw us into connection with a reality beyond the reach
of mind, acting rather like a plug connecting us to the socket of that
deeper reality.
----- The Prince, I suggest, stands for
the solar principle of consciousness - the questing human mind which
seeks to explore, discover, understand, penetrate to the heart of reality
and who, in this story, is seeking the lost feminine counterpart of
himself. The Sleeping Beauty carries the lunar principle of soul, the
neglected feeling values (eros) which are undeveloped or inarticulate
in relation to mind, and have, so to speak, lain under a spell for centuries.
From another perspective, the story can be seen as a metaphor of the
reconciliation of spirit and nature or the reunion of the masculine
and feminine aspects of spirit which have been progressively sundered
during the last four thousand years.
----- I am sure you will remember the story
of the princess who explored the unused rooms of the castle on her fifteenth
birthday and came across an old woman turning and turning her spinning
wheel. Attempting to take the spindle from the old woman, she pricked
her finger on it and at once fell into a deep sleep, so fulfilling the
curse placed on her by the uninvited thirteenth fairy at her christening
- a curse that was mitigated by another fairy who remitted that death
sentence to a hundred years' sleep. The whole court fell asleep with
her. A great forest of rambler roses - an impenetrable hedge of thorns
- grew up around her and for a hundred years, legends were told about
the Sleeping Princess who lay hidden at the heart of the forest until
the day when a prince, hearing of the legend, determined to set out
to find her. Many suitors had perished in the attempt to penetrate the
hedge of thorns but, the story says, the thorns turned to roses for
him, the way through the hedge opened and he came to where she lay sleeping
and awakened her with a kiss. As she awoke, the whole court came to
life and preparations began for their marriage - for all the best loved
fairy tales end in marriage.
----- I see this story as a metaphor about
the loss and recovery of our soul and about the marriage between our
head and our heart, between our analytical, literal mind and the deep,
feminine ground of our soul. But the hedge of thorns shows what an impenetrable
barrier lies between them and how difficult it is to get through it.
I suggest that the hedge of thorns symbolises all the belief systems
we have built up over hundreds, if not thousands of years: deeply rooted
religious beliefs about the nature of God and our fallen and sinful
human nature and scientific beliefs about what we call matter: beliefs
about what spirit is and beliefs about what nature is. These belief
systems, deeply imprinted on us over generations, stand between us and
our soul and make it almost impossible for us to reach below the surface
of our everyday consciousness and relate to and value the dimension
of feeling. Instinctive consciousness does not communicate primarily
through words, through language, but rather through feelings, intuitions,
images of all kinds, and through emotions and dreams. If we do not pay
attention to these, there will be no way in which these feelings, intuitions
and images can reach our surface mind that is so focussed on the external
world. They will be shut away behind a hedge of thorns. The journey
in search of the soul, back the way we have come, is difficult and even
dangerous because it requires that we relinquish the certainty of what
we think we know and what we have been taught to believe. It means surrendering
the desire to be in control and opening ourselves to the journey. Many
myths and fairy tales emphasise the need for surrender and trust in
the strange non-rational guidance offered by animals or shamans on the
quest. As the hero follows their guidance, so the hedge opens, the way
unfolds. Following the guidance of the non-rational, intuitive wisdom
of the instinct is the royal road into the realm of soul.
----- Following this intuitive, non-rational
wisdom is also the theme of Greek mythology as well as fairy tales,
if you remember the story of Theseus and Ariadne. Looking at this image
(of Perseus, Andromeda and the dragon), I am reminded of a story told
to me by a friend of mine.(3) If the soul had
two suitors and one of them said to her: "You are of some interest to
me as an object for clinical analysis. I want to see whether you exist
and whether you conform to a theory I have about you. If you fit my
theory, I might consider you as a suitable partner but I will set the
terms of our contract." And the other said, "I have fallen passionately
in love with you and want to know you better. I cannot conceive of life
without you. Will you marry me?" Which of these suitors do you imagine
she would choose? Supposing Perseus had approached Andromeda with the
first offer. Might she not have chosen the dragon as a preferable fate?
It is most unlikely that nature and our instinctual soul will yield
their secrets to an analytical suitor; only to the one who loves them
and wishes to discover what they want.
----- Now I would like to explore with
you in more detail how I believe the separation between mind and soul
may have come about. Reflecting on this image of the human brain, I
see it as part of nature and as an organ that it has developed to further
the evolution of consciousness; an organ which connects us to our immediate
environment but which also connects us to a wider and deeper invisible
field of consciousness - something like a still undiscovered field of
incredibly fine energy which binds together many different levels and
forms of life and functions at many different rates of vibration. The
physical brain and all the interrelated systems that we call body and
which form an organic whole have come into being over millions of years
of the Earth's life. The brain (which cannot really be considered as
separate from the rest of the body) has been the organ for a consciousness
that has moved infinitely slowly from unconscious instinctual responses
programmed through the life experience of countless species through
millions, if not billions of years, to the time where one species out
of many - our species - developed self-awareness and the ability to
focus attention through reflective, analytic and directed thought.
----- This miraculous evolutionary process
was focussed relatively recently through the reptilian and mammalian
brain system and then, only very recently in relation to planetary evolution,
through the neo-cortex or new mammalian brain. Infinitely slowly, as
if in response to an innate directing impulse, the consciousness latent
or present within nature and matter, as the form of an oak is present
within an acorn, has slowly become conscious. We carry all this immense
evolutionary experience - this memory bank - in the cells of our body.
We carry both the older and the newer brain systems co-ordinating as
a single entity. However, as the ability of our species to develop a
sense of self, to inhibit instinctive reflexes and increasingly to be
able to control the environment evolved, so we became cut off from the
immense network of relationships in which we were once embedded - that
we call nature, the planetary matrix out of which we have evolved. This
was in no sense our fault. We have simply instinctively followed the
gradient of our evolution and have not been able to understand until
now what has happened and why it has happened.
-----This image of a winged and crowned
mermaid, surrounded by symbols of the four elements, taken from an alchemical
text, describes this evolutionary process rather well. (4).
We can see how the older and newer systems of consciousness are
brought together in the figure of the mermaid. Her tail could represent
the older, instinctual stratum of consciousness; her body and head the
more recently developed levels and her crowned head and wings a potential
of consciousness that has not yet been realised by us as a species.
The development of a sense of self, and the ability to focus and direct
consciousness towards specific goals seems to have brought about a dissociation
between the older and the newer aspects of our nature, between mind
and soul, between rational intellect and the greater matrix of nature
which functions instinctively. Nature has been emptied of numinosity
and divinity as human consciousness gathered that divinity and numinosity
to itself. This inner dissociation
in our own nature has been projected onto the belief that spirit and
nature are something intrinsically different from each other.
Spirituality has always been presented as a movement away from nature,
upwards towards spirit. Only the Taoists among the religious systems
of the last three thousand years seem to have understood that in order
to discover the ground of our being within nature and within ourselves,
we need to be connected to the instinct as something of great value.
A part of consciousness that has been split off from its ground like
a child from the mother, needs to rejoin that ground. We are part of
what we observe around us because we have evolved from the same matrix
or root as everything we observe. In moving to an exploration of our
own consciousness as the key to understanding both ourselves and the
universe, we are, I believe, moving towards an extraordinary revelation.
----- But the dissociation in our nature
is becoming increasingly dangerous for ourselves and the planet because,
although we believe that we are in control of our instincts, we are
in fact controlled and directed by the older part of our nature in ways
that we are simply not aware of. Although thinking seems to be so conscious,
so rational, it is inseparably tied to feelings and instincts that come
from the older levels of consciousness. Our belief systems, whether
religious or scientific, as well as our ways of relating to each other
as individuals and nations are profoundly rooted in unconscious instinctive
responses which have their origins in earlier phases of our evolution.
The unconscious responses of the reptilian/mammalian brain system are
immensely conservative and immensely powerful. They fear change as an
overwhelming threat. Once a belief system or a pattern of behaviour
has been established over several thousand or even several hundred years,
the instinctual response to any new idea is to attack it and to defend
the old position with all the power that is available to it. Hence the
ridicule and furious resistance provoked by ideas which run counter
to the general belief system of the age. In defending an established
belief system, we can behave with all the instinctive aggression of
an animal defending its territory. (Analytical work also encounters
the fear of losing the safety of what is familiar).
----- From another perspective mythology
can also throw some light on how the dissociation between mind and soul
came about and also on the evolution of consciousness. This is the earliest
known image of the Great Mother, dating to about 22,000 BC. (5).
The Great Mother or the Great Goddess stands for the maternal ground,
the older layers of consciousness, the deeper reality we know so little
about and the whole instinctual network of invisible relationships that
we call nature. She also stands for the phase in our evolution when
we lived in greater participatory union with the ground of life, contained,
so to speak, in its womb. (Owen Barfield describes this earlier phase
of our evolution as "Original Participation") (6).
Duality in the sense of feeling ourselves to be separate from nature,
had not yet come into being. For some fifteen thousand years and maybe
far longer, the image of the Great Mother was the focus of human consciousness.
One might call this phase of unknown length the phase of lunar consciousness.
Throughout this time, life was experienced as an organic, living and
sacred whole, and the Great Mother was the whole, the matrix of being,
the womb or source of all life, both visible and invisible. The earth
was peopled with unseen entities, a "thou" not an "it", as it is today.
We can relate this phase to that phase in our own lives when we are
contained in the maternal womb and closely associated with our mother
during our early years. This sense of participatory consciousness lasts
far into the Bronze Age and beyond - until about 2,000 BC.
----- But suddenly, around 2000 BC, we
can see from the texts and mythic imagery of the time that there is
a dramatic shift of focus from the feminine to the masculine principle,
from goddess to god. This is reflected in a Babylonian myth which tells
how the god Marduk murders the mother goddess Tiamat (who is portrayed
as a dragon) and creates heaven and earth from the two halves of her
dead body. This Assyrian relief of 1000 years later describes the earlier
Babylonian myth. (7). Here is the earliest image
of a god separate from creation who brings it into being not as a natural,
organic process but by a conscious act of will. Here is an image of
duality, an image which suggests the separation of consciousness from
the maternal ground of instinct, the beginning of the differentiation
of mind from soul, and the emergence of a conscious ego which sees itself
as the creator of the world. Marduk exults in his power to destroy the
mother goddess and to create the universe, setting the stars in their
courses. This late Bronze Age myth had an immense influence on later
cultures and is the prototype of Greek myths describing a hero's struggle
with the dragon. It establishes the paradigm of the fundamental split
between spirit and nature that was to lead, via Hebrew and Christian
culture, to the belief (first expressed in theology and then, much later,
in science) that nature and matter are something separate from
and inferior to spirit, fundamentally different from spirit,
something passive and inert, without consciousness, something that can
be controlled and dominated by the human mind and made subject to the
human will. Inheriting these concepts by a quite fascinating transmission
of mythology from culture to culture, it seems as if the human mind
today has modelled itself on Marduk, believing with all the hubris of
an ego cut off from its roots, that it can manipulate nature and matter
as it chooses. The end-result of this transmission of ideas has led
ultimately to the creation of the atom bomb, splitting and using the
elements of nature to destroy life in the same way that Marduk used
the elements of nature to destroy Tiamat. (Marduk used the wind to blow
her up). Nothing illustrates the dissociation between mind and soul
better than this recent event. Five thousand years after Marduk, the
ethos of Western culture is still one of conquest, whether the conquest
of enemies or the conquest of nature or space and I believe it originates
with this powerful Babylonian myth.
----- We are only just becoming aware of
unconscious mythological programming which has profoundly influenced
and directed our religious beliefs and our scientific research. In Western
civilisation, God has been presented or imagined in the masculine mode
for nearly three thousand years and the feminine dimension of the divine
has been deleted from our definition of spirit. God has been conceived
as an intelligence or being beyond creation rather than as the life
of creation and the hidden intelligence within it. 4000 years ago, with
the myth of Marduk, divinity began to be identified with the heavens,
with the sky, with spirit, and then with creative mind, ultimately with
our mind - all imagined in the masculine gender. The Great Mother and
the goddess, who once stood for the ground of being and for the whole
Kosmos prior to the separation of heaven and earth, gradually became
identified with the earth alone, then with nature and matter and eventually
(with the myth of the Fall), with sin and sexuality. Nature was reduced
to the role of servant supplying humanity with the material for a better
life. I hope I have managed to convey to you how we may have accepted
things without sufficiently exploring the root of how ideas and beliefs
have come into being.
----- If we go back to the older paradigm,
inherited from the earlier goddess tradition, we see that it survived
wherever the worship of the goddess survived. Through the focus of this
image, life was still experienced (albeit for the most part unconsciously)
as an organic, living and sacred whole. This different understanding
or perception of reality mediated through the soul, through instinct
and feeling, was enshrined in the image of the sacred marriage - the
principal religious ceremony of the Bronze Age - which celebrated the
union of heaven and earth, goddess and god and also, as we can understand
now, the union of the two aspects of our consciousness. For the goddess
symbolised the older matrix of the instinctual soul and the god became
the focus for the developing power of the ego, the emergence of the
individual from the collectivity of the tribe and the faculty of conceptual,
abstract thought, or what today we call rational mind. The image of
the sacred marriage, essential for keeping alive the bond between the
two aspects of consciousness, between goddess and god, was transmitted
to alchemy and to all those myths and fairy tales which end in a marriage.
And so we return to the Sleeping Beauty as one of the most famous of
these.
----- Now I would like to look at another
crucially important myth - the Hebrew myth of the Fall - because it
also describes the separation of consciousness from its instinctual
ground. This myth seems to elaborate feelings which accompanied the
experience of no longer being contained in the womb of nature. With
the development of the conscious ego and of analytical, reflective thinking
came an awareness of suffering and of profound guilt, responsibility
and choice. The incredible fear of no longer feeling contained in the
womb of nature, of feeling expelled from the Garden, and the belief
that humanity was responsible for incurring this catastrophe through
some primordial sin pervade the pages of the Old Testament. (Anyone
who has worked with patients knows how deeply this feeling of guilt
and sin is imprinted on the Christian psyche, particularly the psyche
of woman). The need for control and power that is so much a feature
of Iron Age culture and, indeed, of our own, may be understood as a
compensation to the feeling of vulnerability in an alien world.
----- This myth, like the earlier one of
Marduk, tells the story of how consciousness became divided into two
parts - the one associated with the god and with spirit, reason, mind
and the masculine principle; the other with the goddess and with soul,
nature, feeling, instinct and the body as the feminine principle. Adam
and Eve stand for these two aspects of our own nature. The division
of a unified cosmos into the two parts of heaven and earth, mind and
body, spirit and nature is an image of human consciousness entering
a dualistic phase of its evolution. The duality we have projected onto
life is not intrinsically real although, understandably, we have constructed
our lives on the premiss that it is real. It is a provisional interpretation
of an overwhelmingly difficult evolutionary experience. The image of
a god transcendent to creation was perhaps necessary for our evolutionary
growth and for the development of a strong sense of self and the development
of individuality. But it has had tragic effects on humanity. Only as
a therapist have I gained insight into the terror that the experience
of separation and loss evokes and into the corrosive guilt that men
and women who have experienced these carry in their soul.
----- The Expulsion from the Garden is
a myth that marks the birth of modern consciousness, and the winning
of some small measure of freedom from the overwhelming power of instinct
and the dawning awareness of choice and responsibility. But it also
marks the beginning of fear of the instincts and feelings, their repression
and a loss of relationship with the soul. All this is told in the drama
of Adam, Eve and the serpent. The serpent, symbol of the older instinctual
consciousness, was blamed for tempting Eve. Eve was blamed for bringing
death and suffering into the world. Woman through Eve was blamed for
being the lure that led men into sexual relationships. Woman's sexuality
in particular was associated with the primal sin which brought about
the Fall. I think you can see what a disastrous and quite unnecessary
amount of human suffering has come from this myth - all due to belief,
fear and repression. The separation from nature and the emergence of
the ego is the beginning of conflict within our own nature. This conflict,
projected onto myriad situations in the world over thousands of years
is the root of enmity between individuals and tribes that has led to
the terrible carnage of this century. So, in a sense, the hedge of thorns
is within us. The greatest problem in the world today, as Jung said,
is how to heal the dissociation in our consciousness by bringing the
masculine and feminine aspects of our nature together.
----- It looks to me as if the instinctive
soul needs to be put into intensive care. It needs our attention. It
has suffered terribly during the last 3000 years, first from repression
and persecution by religion, lately from repression by the scientific
attitude which insists that the non-rational, the unprovable, must be
excluded from our view of reality. The rigorous repression of anything
outside orthodoxy in religion and the exclusion of the non-rational
from science amounts to the same thing - the strangulation or suffocation
of the soul. In modern dreams the soul appears as a wounded animal,
an emaciated or starving woman, a weeping or anorexic child. In a thousand
ways, some acceptable to us, others unacceptable, it tries to get through
to us, it tries to tell us its story, make us aware of its need for
relationship with us. It tries to tell us that something is gravely
amiss, out of balance. But it can't get through to the rational mind.
This is why Jung in the last year of his life (1960) wrote these words:
"I have failed in my foremost task: to open people's eyes to the fact
that man has a soul, and that there is a buried treasure in the field
and that our philosophy and religion are in a lamentable state…" (8)
----- Now I want to turn to Alchemy and
to how this situation might be changed. This sixteenth century painting
shows an alchemist holding in his hand an alchemical flask and standing
barefoot in a landscape surrounded by a border of exquisite flowers
and birds. He is wearing the royal purple robe which reflects an awakened
consciousness and the integration of mind with soul. (9)
The alchemists called themselves the Sons of Wisdom because wisdom
was the philosopher's stone, wisdom was the end-result of a long process
of transformation. I believe that certain alchemists discovered that
the dissociation between mind and soul could be healed and that through
that healing, consciousness could evolve further, eventually reaching
that state described by the great mystics of all cultures - the experience
of the reunion of our nature with the ground of being. They knew, long
before us, that matter was energy or spirit. They discovered that there
was a hidden spirit, a hidden consciousness that was active within nature
and human nature and that it was possible to work with that spirit,
so bringing about an astonishing transformation. They called this spirit
Mercurius. It was androgynous. They observed matter in their alchemical
vessel; it came alive before their eyes. They saw it undergo a transformation
and they began to speak to it through their imagination. Their understanding
was transformed by that dialogue. The mystery drew them into the midst
of itself, step by step. They became vehicles for the further evolution
of consciousness. What we are discovering now - what the scientists
present at this conference are discovering - rests on foundations they
laid centuries ago. But the greatest alchemists regarded themselves
as the servants, not the masters of life. They set their work in the
context of a quest for a priceless treasure. "Our gold is not the common
gold." They gave this treasure names like the wondrous stone, the philosophers'
gold, the elixir of life. They discovered that the essential preparation
for the experience of the treasure was a marriage between the solar
and lunar, masculine and feminine aspects of our nature. They called
these the king and the queen.
----- Water and the sea have always been
a symbol of the soul - remember that image of the mermaid - so in this
alchemical image (10) we see the king and queen
immersed in the water of the soul, united in sexual union. The king
enters the alchemical waters of the matrix of consciousness. There,
he encounters a different kind of consciousness symbolised by the queen.
This union of which the alchemists recorded many phases symbolised the
process of psychic transformation whereby king and queen come to know
each other intimately, entering into a dialogue with each other. The
king becomes aware of his feelings, his instincts, not as something
inferior to himself, something he has to dominate and subject to his
will, but as something like his own mother, something that he has been
born out of, that he has separated from and that he now needs to relate
to and reunite with as his bride. The queen responds and changes as
the king learns how to value and relate to this feminine and royal counterpart
of himself. Translated into our modern understanding, the union would
mean that our logical, analytical masculine mind begins to develop a
different way of perceiving reality, a different, more feminine, participatory
and empathic way of relating to life. Bathing in the maternal waters
restores a sense of trust in life, taking away that fear that has so
long dominated us. It leads to trust in the support and guidance of
instinct, for instinct also undergoes transformation. As the king learns
how to relate to the queen, he develops insight and follows a different,
intuitive logic. As he differentiates himself from the archaic and unconscious
power drive of his instinctual nature derived from the genetic programming
of the older brain system, so that power becomes available to him to
be used not against life but on behalf of life, on behalf of nature,
on behalf of something that he begins to realise with amazement, is
of the same essence as himself. He grows in moral stature through insight.
In this one image there may be concentrated a lifetime of alchemical
work.
----- This is how the alchemists pictured
the ancient reflexes of the dragon which still have us in their grip.
(11) The dragon is the primordial life instinct
in its unconscious state: the will to survive, the instinct to procreate,
the territorial and tribal instinct, the fight/flight response, the
maternal instinct to protect the young, the instinct for predator to
attack and kill its prey. The dragon in mythology has long been a symbol
of the immense power of instinct, power so great that our still immature
conscious ego is like an ant compared to a dinosaur. The power of the
dragon today is reflected in our terrible weapons of destruction, our
drive for power and control and the horrifying pattern of predator attacking
and destroying its prey as in the ethnic cleansing taking place in Bosnia
and Rwanda. But the dragon is also the power to heal, to create, to
transform; it is the colossal energy that impels our lives, the courage
of human endeavour, the source of our extraordinary technical skills,
our passionate longing to alleviate human suffering. The dragon is the
root of our imagination, the energy that empowers it which has flowered
in so many marvellous creations of the human soul. But an unconscious
dragon acts blindly, following the pathways that are familiar to it
through millions of years. Its energy and creativity can be harnessed
to goals that injure and destroy life. An alliance between our technological
skills and the power drive of the dragon can be very dangerous if there
is no awareness of what is directing us.
----- The alchemists gave supreme importance
to the transformation of these archaic instinctual drives. They gave
us a picture of this heroic achievement in this image of a dark man
emerging from the muddy waters, being welcomed by an angel holding the
red robe which symbolises a new, regenerated consciousness. (12)
The alchemists called this dark figure the Mighty Ethiopian - a term
which originates in Egypt with the god Osiris and the mythology of death
and regeneration. So, applying this to ourselves, we ourselves would
have to die to our old way of living in order to be born into a new
understanding of life.
----- Here, in this image of integration
king, queen and dragon are now related to each other. The three aspects
of our nature are able to function in unity rather than in conflict
with each other. The dragon wears a crown signifying that it too has
become conscious, awake, and can no longer act blindly. It is an image
of a unified soul, where all parts are related to each other and in
harmony.
----- And here is an image of what we have
to go through in order to effect this transformation. It is an image
(of a man holding a severed head and standing in front of a dismembered
body) that takes us back to the Dionysian mysteries of death, dismemberment
and regeneration which is one of the most powerful themes of alchemy.
(13). The solar consciousness by which we live,
focussed only on the external world, is dismembered, dissolved, in order
that a deeper understanding may come into being through reconnection
with our lunar consciousness. The alchemists said that their art was
not a method of metallic transmutation, so much as a true and solid
science which teaches us how to know the centre of all things, which
is called the spirit of life - the consciousness which permeates all
forms of life. We cannot know this spirit with the limited, intellectual
knowledge of the head. We need to know it with the heart, as an experience,
and this is the beginning of wisdom. So dismemberment is an image of
letting go of old beliefs and changing the patterns of behaviour in
which the life spirit has become imprisoned or buried. Psychic growth
is a very painful process and this image of dismemberment reflects it.
But again you see the beautiful border round the edge which symbolises
bringing oneself into relationship with nature and the flowering of
nature within us.
----- Other images of transformation are
focussed on water and fire as agents of transmuting the lead that we
are into the gold of the final treasure. Water washes, cleanses, renews,
gives life. Fire burns, purifies, transmutes. By these processes the
matter of our psychic life is refined, cleansed, rendered more subtle
and translucent to the divine ground. By these methods the quintessential
gold of the life spirit is separated out from the rust or verdigris
that has accrued to it over the millennia of human evolution. The alchemists
called themselves washerwomen and cooks. Reaching ever deeper into the
heart of their psychic life, they perceived the unity of everything;
they saw that matter was not dead, inert. They felt the aliveness of
matter, worked with the spirit hidden in matter, entered into a dialogue
with it and were struck with wonder and amazement at what they discovered.
Their growing insight worked a profound transformation of their consciousness,
their understanding. They hid their discoveries in obscure symbols for
fear of persecution. Fortunately for us, a few of their books with their
amazing illustrations have survived.
----- The peacock with its many-eyed tail
is, in alchemy, an image of the flowering of the new kind of consciousness,
the hundred eyes that we begin to see with once we move into a deeper
relationship with life. (14) It reflects the flowering
of the imagination and the capacity to feel related to the whole of
creation.
----- Being a therapist has taught me something
that I didn't know before and that I could have learned in no other
way. It has taught me how infinitely vulnerable we are, how infinitely
sensitive, how courageous, how noble, how tragic our lives are when
in the grip of a complex that can create a negative fate, a fate we
cannot comprehend, and how deeply intelligent we are once we have begun
to understand what our symptoms are trying to convey to us about the
suffering of our soul. There is no doubt that the chief longing of human
consciousness is to know itself, to understand itself, to discover its
purpose on this planet. I don't think suffering by itself teaches us
anything at all. If it did, we would have come to our senses centuries
ago. It is only through insight into our behaviour that we can radically
alter our fate, change our behaviour. The excitement and wonder that
comes with the realisation that we can transform our psychic life, that
we can change our fate by changing our consciousness is deeply moving.
The joy and energy released is phenomenal. Instead of living from the
mind, from surface of our being or from the collective beliefs and values
of the culture, we begin to live from a deeper level. And this is where
synchronicity comes in: as if responding to our effort to live differently,
life indicates its awareness of this shift of consciousness by helping
us in some tangible way. It's as if it's saying: "Yes, you're on the
right track. Trust that intuition. Follow that path." Books fall out
of shelves. Unexpected meetings take place. This in turn encourages
trust and further effort to let go of an obsolete pattern of living.
We begin to perceive how intimately linked our lives are with the lives
of others, how we are all one essential life at the root. This is intensely
moving - at times a revelation. As we move closer to the heart of our
own being, so we are attracted to others who are on the same path as
ourselves, experiencing this process of awakening, and we can share
with them the discoveries and experiences which have enriched our lives.
----- So here, to end, is an image of the
alchemical wedding (15), the final stage of the
alchemical work, which actually takes place in all the phases of this
process of awakening but here is shown as an image of completion. King
and queen, the solar and lunar aspects of consciousness are united,
in relationship with each other; neither one repressing, threatening
or in conflict with the other. There is balance, integration and creative
expansion in the service of life. There is no need for forced sacrifice
as in many religious traditions, no need for the punishing ritual of
ascetic self-denial. I feel very strongly about this because the body
has suffered terribly through these practices and still carries the
memory of that suffering. The alchemists were careful to say that their
union included body, soul and spirit. They also said that this union
could only be brought about gradually and gently and that, although
their work was apparently "against" nature, against continuing in bondage
to unconscious instinctive patterns, the awakening of instinct could
only be accomplished with the assistance of nature. The way to its consummation
would be revealed step by step. It could not be hurried or forced.
----- Alchemy is a psychic experience that
is impossible to describe or teach. The symbols yield their secret to
those who contemplate them. The process of transformation is unique
for each one of us yet intrinsically the same for all. This is the slow
creation of the wondrous stone, the vision of the Holy Grail, the tasting
of the elixir of life, the healing with the alchemical gold. It is the
blazing revelation of the divinity of life in the reunion of body, soul
and spirit and the service of that life with whatever creative gifts
it has bestowed on us. The gradual creation of the treasure is an experience
of great suffering and sacrifice on the one hand and illumination, wonder
and inexpressible joy on the other as the light of the unified consciousness
dawns.
----- No-one, the alchemists said, may
accomplish this work except through affection, humility and love for
it is the gift of God to his humble servants. To return to the ground
from which we have come, so completing our evolutionary journey on this
planet and bringing the consciousness of the planet with us, is one
of the most exciting quests that I can imagine. To discover that spirit,
so long projected onto a God remote from ourselves and creation, is
the quintessential consciousness which is awaiting discovery both in
nature and ourselves is one of the greatest revelations that it is possible
for the human spirit to experience. The other revelation, no less overwhelming,
is that we have the extraordinary privilege of helping this divine consciousness
to achieve its evolutionary goal. In awakening to our soul, in discovering
how to relate to it, transform it, to heal its wounds and listen to
its guidance, to receive its dreams and acknowledge its visions, we
help to bring about the marriage between the Sleeping Beauty and the
Prince and eventually also, that sacred marriage with the ground of
being which is the tremendous destiny of the human race.
Notes:
-----1. Bede Griffiths,
Return to the Centre, HarperCollins, London 1976 p.31,32.
-----2. Pitirim Sorokin,
The Crisis of Our Age, Oneworld Publications Ltd., Oxford, 1941
&1992
-----3. Richard Tarnas,
author of The Passion of the Western Mind.
-----4. reproduced
in Alchemy, the Secret Art, by Stanislas Kossowski de Rola Thames
& Hudson Ltd.,
----- - London
1973.
-----5. Found in
a rock shelter at Laussel, in the Dordogne. Now in the museum of Aquitaine
in Bordeaux.
-----6. Owen Barfield,
Saving the Appearances, Wesleyan University Press, Middletown,
Connecticut 1988. Originally published by Faber and Faber, London, 1957.
-----7. Assyrian
relief in the British Museum.
-----8. From an unpublished
letter written by Jung in 1960 and quoted by Dr. Gerhard Adler in Dynamics
of the Self, Coventure, London 1979, p. 92
---- ------9.
From the manuscript Splendor Solis by Salomon Trismosin in the
British Library.
-----10. From Rosarium
philosophorum, Stadtbibliothek Vadiana, St. Gallen, Ms. 394a, f.34,64.
Reproduced in Alchemy, The Secret Art, Stanislas Klossowski
de Rola, Thames and Hudson Ltd. London 1973.
-----11. Reproduced
in Alchemy, The Secret Art, Stanislas Klossowski de Rola, Thames
and Hudson Ltd. London 1973.
-----12. From Splendor
Solis
----- -----13.
ibid
----- -----14.
ibid
----- -----15.
ibid
This lecture has been published in
Thinking Beyond the Brain: A Wider Science of Consciousness,
edited by David Lorimer, Floris Books, 2001