Lecture 17

THE GREAT WORK:
HEALING THE WASTELAND
April 2nd, 2005 Mystics and Scientists Winchester
copyright ©Anne
Baring
The Young King (Trismosin
- Splendor Solis)
The Great Work is a phrase that comes down to us from Egypt, from the
ancient tradition of alchemy, a tradition which connects us to the secret
and sacred life of the soul - the lost life of the imagination. Alchemy
is the science which transmutes base metal into gold. What is this base
metal? Certain alchemists thought that it symbolises our present level
of consciousness, which, transfixed in ignorance, continually brings
into being suffering and evil. And what is the gold the alchemists speak
of? It is the revelation of the radiant light of the divine ground,
the light that shines in all and through all, yet is tragically invisible
to us. Alchemy defines three stages in the Great Work:
1. The first stage is to recognise the existence of an invisible dimension
of reality that interpenetrates and embraces this visible one.
2. The second is to create a relationship with it and receive help,
guidance and illumination from it.
3. The third is to attune our being ever more finely to that divine
ground.
The Great Work gradually
brings into being a new kind of consciousness that the alchemists call
the Young King. The numinous words that accompany this image are these:
"The king's son lies in the depths of the sea yet lives and calls from
the Deep: Whosoever will rescue me and bring me to dry land, him will
I reward with everlasting riches." The old unregenerate consciousness
was symbolised by an ageing King who has to surrender his power, to
die, so that new values might come into being, values which would replace
the deficient values which have governed society for millennia. We are
participating in the Great Work today as we struggle to recover our
connection to soul and bring forth from its depths the new values which
represent the Young King.
Knight and Image of the
Quest (Le Livre du Coeur d'Amour Épris)
The twelfth century legends of the Holy Grail tell the story of an identical
quest for the experience of connection with that other dimension of
reality - the dimension that the great Islamic scholar Henri Corbin
named the Mundus Imaginalis - the Imaginal World. I would like to tell
you the story of one particular legend. It is the story of Parsifal
and his journey through the Wasteland - a land devastated by war and
greed, where crops withered, animals sickened and died and the waters
of life no longer flowed. As a young man, Parsifal was guided to the
Castle of the Grail and taken into the presence of the old Grail King,
who lay between life and death, bleeding from a wound in the groin that
could not be healed. Parsifal's conventional training as a knight forbade
him to ask the question that arose in his heart, 'What ails thee, Lord?'
But he was invited to sit at the table of the knights and to witness
the procession of maidens bearing the emblems or the Grail into the
hall. The next morning, sensing that he was in disgrace, yet not knowing
what he had failed to do and finding no-one to tell him, Parsifal left
the deserted Castle. Immediately it vanished from his sight and he embarked
on many years of quest, seeking to find again the place that meant more
to him than anything else, even his beloved wife.
After years of wandering
he was again guided to the Grail Castle. But before this happened, he
had a fight to the death with a knight whom he believed was his mortal
enemy but who, at the last minute, took off his helmet and revealed
himself to be his half-brother, Feirefiz. Each knight discovered that
he was the son of the same father but a different mother; one white
and one black; one from Europe, the other from North Africa; one Christian,
the other Muslim. Reconciled to each other, they entered the Grail Castle
and Parsifal, deeply moved once again by the sight of the king's suffering,
asked the question, "What ails thee, Lord?' And with these heart-felt
words, the old man's agonising wound was healed, the Wasteland was regenerated
and Parsifal was astonished to see his wife leading the procession of
women who bore the emblems of the Grail into the great hall of the castle.
Each of us has been drawn
to this conference to reflect on the question 'What ails us?' How might
we heal the split between inner and outer, subject and object, science
and spirituality, the masculine and feminine, self and other, humanity
and the earth?
For me, all these splits
and divisions are the result of a catastrophic loss of soul, a loss
of the ancient instinctive awareness of the sacred interweaving of all
aspects of life, a loss of the sense of connection with an invisible
dimension of reality, a loss of instinct and imagination. For centuries,
we have been influenced by a sterile philosophy which insists that we
live in a mechanistic, lifeless universe where stars are seen as objects
instead of divine beings, where angels, stones and trees no longer speak
to us and we do not stand in awe before the great mysteries that surround
us. Our arrogant and dissociated rational mind now stands like a tyrant
over and against nature, over and against the earth. This leaves the
human heart lonely and afraid and the neglected territory of the soul
a barren wasteland. How did this situation come into being?
The Moon
Three Phases of Consciousness diagram:
Phase 1: Lunar - Participation in an ensouled cosmos.
The moon has been the great teacher of humanity, the inspiration of
the greatest myths and stories to emerge from the human soul. The observation
of the moon gave us cyclical time, astronomy, mathematics, belief in
the immortality of the soul. For thousands of generations people watched
the moon appear as a crescent, wax to fullness, then wane and disappear
into darkness and re-appear after a three days' absence. This long observation
of the moon gave us an age-old and instinctive sense of connection with
the life of the cosmos, and with the life of the earth and its cyclical
process of death and regeneration. The return of the crescent moon after
the three days of darkness gave us trust in the survival of the soul
and the regeneration of life after apparent death. Most importantly,
lunar mythology held both light and dark in relation to each other because
the totality of the moon's cycle contained both light and darkness,
therefore symbolically embracing both life and death. In lunar mythology,
death is not final and terrifying but a rite of passage between the
manifest and hidden dimensions of life.
Landscape of the Soul
- Indian and Taoist painting
Lunar mythology is the foundation of the ancient Bronze Age civilizations
of Egypt, India and China. Under its influence, people felt that spirit
was imminent in this world. They felt that they participated in a great
cosmic mystery and that everything was sacred because everything emerged
from that invisible dimension and was contained within it, as within
a Great Mother. All forms of life were connected to each other and connected
to the life of the cosmos. The key image of lunar mythology is relationship.
While we have gained a great deal of knowledge, we have all but lost
that ancient sense of connection and relationship.
Hero and Dragon
Phase 2. Separation - Myth of the Fall - Expulsion from the Garden
Where do the words "Those who are not with us are against us" originate?
They originate in solar mythology. We first hear of it around 2500 BC
in Sumerian and Babylonian texts which show that it is beginning (in
the Middle East) to replace or displace the older lunar mythology. We
first hear of it in the Sumerian story of Gilgamesh and the Babylonian
Myth of Creation which tell of a mighty battle between a hero and a
great dragon or monster. In the story of Gilgamesh, king of Uruk, he
and his friend Enkidu set out to kill a monster called Humbaba who guards
the forest of Lebanon on behalf of the gods. In spite of dreams warning
them not to proceed, in spite of their own doubts, they press on as
heroes always do. They kill Humbaba and incur the wrath of Shamash,
the sun god. Shortly afterwards Enkidu falls ill and dies and Gilgamesh,
inconsolable, sets out on a quest for the herb of immortality. This
is the earliest story of the quest.
The most important feature
of solar mythology is that it divides life into two halves: spirit and
nature, light and dark, good and evil. It strives to reach the light
and splits off the darkness. Its key image is transcendence and conquest
rather than connection and relationship. It perceives darkness as inimical
to the light, the enemy of the light. It projects evil onto a cosmic
entity (Satan or the Devil) imagined as the enemy of God. Solar mythology
tells of a cosmic battle between light and darkness, good and evil,
and of many battles between a hero and a great serpent, monster or dragon.
This myth entered into the sacred texts of Judaism, Christianity and
Islam and is deeply embedded in the modern psyche wherever these religions
predominate. It comes up to meet us today in the world of international
politics where, once again, we succumb to its archetypal spell.
However, with the psychological
insight gained over the last hundred years, I think we can now understand
that this solar mythology is telling us the story of the emergence of
our human consciousness from the matrix of nature and that the metaphor
of the hero's struggle with a dragon can be read as a description of
our struggle to differentiate ourselves from nature and from instinct,
our struggle to become conscious, to gain self-awareness and the capacity
to reflect on our actions. It is this story that is told in the myth
of the Fall or our expulsion from the Garden of Eden. But solar mythology
by its very imagery, polarises conscious mind and instinctive soul,
the masculine and feminine aspects of our being. It encourages the conscious
(rational) mind to try to control everything it surveys, the very matrix
from which it has emerged. It polarises life and death, good and evil,
mind and body in our consciousness and, without our being aware of it,
turns nature and instinct into something that is dangerous and threatening,
an enemy.
This solar mythology has
had a huge influence on the way we think and on our behaviour towards
each other. The desire to conquer and dominate, to root out evil in
others, to try to succeed or to be victorious at all costs comes straight
from this mythology. So do all the conquering heroes who have been admired
throughout history (Alexander, Caesar, Napoleon). So do the belief systems,
whether religious or secular, which offer salvation for one part of
humanity and split off and demonise those who do not share a particular
belief or ideology (Communism and Fascism). Christianity and Islam fell
under the spell of this mythology and are not yet free of it. Women
have fallen under the spell of it in their effort to succeed in a world
created and controlled by man. Solar mythology permeates every aspect
of our culture and, because its emphasis is on reaching a goal at all
costs, it is destroying our relationships with each other.
Icon of St George and
the Dragon
The myth of the solar hero tells the story of our Promethean struggle
to master the forces of nature, to face great dangers in order to achieve
incredible goals. (astronauts and Ellen MacArthur). In solar mythology
the male hero faces and overcomes his deepest fears but at the same
time he stands over and against nature, attempting to conquer, dominate
and control it. We can recognise the influence of solar mythology today
in the omnipotent attitude of science and technology, in our myth of
progress, in the weapons of mass-destruction which we believe will give
us power over our enemies (sacrificing them in order to ensure our survival),
and in the omnipotent stance of political leaders who wish to control
the world. Solar mythology ultimately becomes focussed on the supremacy
of male power. There is always another dragon to fight, another enemy
to overcome. In solar mythology there can only be victory, never defeat.
George W. Bush, Osama bin Laden and Tony Blair are modern solar heroes
who exhibit the symptoms of mythic inflation - that is - of an unconscious
identification with the solar myth, projecting darkness and evil onto
an enemy.
Ucello painting of dragon
with woman and hero on horse
This painting shows two different ways of approaching the dragon. The
hero on the horse is bearing down on it with his lance, piercing its
eye. The woman is connected to the dragon by a lead and is perhaps an
image of the insight we can use to relate to the dragon in a different
way, no longer killing and injuring it but bringing it into consciousness.
The insight we have now developed into our psyche can help us to understand
that the root cause of all the splits in our thinking is the original
split that has developed between the conscious, rational mind - the
hero - and the deep instinctive matrix of our soul that is symbolised
by the dragon. It is this instinctive matrix of our soul which connects
us to nature, to the life systems of the planet and, ultimately, to
the deep ground of life. Our conscious mind has no relationship with
this matrix of instinct, no understanding of how this unconscious and
dissociated aspect of ourselves can control and overpower the so-called
rational mind, nor of how our culture might be transformed by creating
a relationship with it. And so, in ignorance of this split within our
psyche, projecting what is unconscious in ourselves into the arena of
the world, we continue to bring evil into being, continue to re-enact
the habits of behaviour which create the Wasteland.
Polarisation of Opposites
Diagram
Solar mythology has brought into being the polarisation between the
feminine and masculine aspects of our life experience which has developed
over the last 4500 years and has profoundly affected our thinking. So
I would like to take a little time to look at these two columns. Note
the soul is the unifying principle relating these to each other.
Feminine =
SOUL
= Masculine
Moon Sun
Unconscious Conscious
Nature (Goddess) Spirit
(God)
Earth Heaven
Darkness Light
Evil Good
Chaos Order
Death Life
Woman Man
Left hand Right
hand
Body/Matter Mind/Spirit
(in individual)
Imagination Reason
Feeling/Instinct Thinking
Non-Rational Rational
Spirituality Science
Observed Observer
Alternative medicine Orthodox
medicine
If we are to heal the Wasteland,
we need to bring these two aspects of life into relationship within
ourselves, so they are no longer in conflict with each other. We need
to heal the deep wound in our psyche. We would then no longer unconsciously
project our inner split, our inner conflict into the world. The split
may be compared to a computer virus that has affected all our our institutions,
beliefs and ways of interacting with each other and the world. It is
very difficult to become aware of how deeply we have been affected by
it and how it 'programmes' the way we think.
Hedge of Thorns and Prince
Our rational mind - the Prince - is a tremendous and essential evolutionary
attainment but it is also a hedge of thorns barring our way. In the
effort to win autonomy from the matrix of nature - an effort which needs
to be acknowledged as the great achievement of the male psyche - we
made the mistake of turning against nature, against the body and all
things believed to be feminine and inferior. The end result is what
we have today - matter and nature emptied of spirit, the body sacrificed
in war to our dreams of conquest, the soul reduced to mind (Francis
Crick). The Prince on his own cannot accomplish the Great Work. He needs
reconnection with instinctive soul, with the ground from which he has
emerged. The fairy tale says that when the right moment has arrived,
the hedge of thorns turns to roses and the Prince can find his way to
the Princess.
Sleeping Beauty:
Phase 3 - Reconnection - re-ensouling our psyche and the world
Dan Brown's The Da Vinci Code has sold 35 million copies.
Why? Is it hunger for what has been lost, a hunger on the part of the
feminine (the soul) to be raised to parity with the masculine (union
of Jesus and Mary Magdalene), a hunger for reconnection and relationship?
A rehabilitation of our vilified sexuality? Is it a hunger for a different
understanding of life than that offered by either religion or science?
Because I keep in touch with the scientific discoveries reported through
the Scientific and Medical Network, I know that amazing things are happening
now and happening fast. Certain physicists are rediscovering the idea
- once known to the great teachers of Egypt, India and China but long
forgotten - that the universe is conscious and that our consciousness
- our whole being - body, soul and spirit - exists within that greater
being. The discovery that we participate in a cosmic internet of living
systems, a vast and marvellous Web of Life is beginning to shatter the
belief that this material reality is all there is, the belief that we
exist on a tiny planet in a lifeless universe and that there is no life
beyond death. It is shattering Richard Dawkins' belief that our sole
reason for living is to propagate our DNA - an idea that, I was horrified
to hear, he was imparting to children. It is beginning to shatter the
idea that spirit is something transcendent and separate from ourselves.
It is creating a bridge between those polarised aspects of life.
The New Age movement of
the last fifty years has recovered for us many shamanic methods of connection.
It has recovered ancient texts from India, China and Egypt that are
restoring older ways of knowing. Above all, it has made us aware that
we lost something of vital importance that is deeply meaningful to us.
Included in these ways of connection are ancient methods of healing
such as acupuncture and ayurvedic medicine, the use of plants and herbs,
and divinatory ways of diagnosing illness and interacting with the imaginal
world - the invisible dimension of the cosmos. The emerging world view
- carried by a few hundred thousand people - is beginning to re-ensoul
the world, is beginning to reconnect us with the life of the planet
and with the great cosmic web of life.
The recent tsunami released
a tidal wave of compassion, reaching out to the afflicted from people
all over the world. It showed what a power we carry to change things
when our heart is engaged. Because, at the deepest level, we are all
connected to each other, when thousands of us begin to transcend the
old dualistic way of thinking and acting, millions are affected. The
more conscious and connected we become, the more help and inspiration
can flow to us from the soul of the cosmos.
The Sacred Marriage of
Sol and Luna (Trismosin) and The Coronation of the Virgin
Alchemy is the science of bringing the two great feminine and masculine
principles and mythological traditions into relationship - into a state
of marriage. There is a beautiful Hasidic saying from the Jewish mystical
tradition: "When the moon shines as brightly as the sun, the messiah
will come." (Baal Shem Tov)The moon is an age-old image of the feminine
principle, as the sun is of the masculine one. So when these two shine
as brightly as each other, when each is fully honoured in human consciousness,
when solar mythology is softened and tempered by lunar mythology, the
Messiah will come - not as an individual but as the raising of the consciousness
of the whole of humanity. When this happens the Wasteland will be healed.
Dark Man emerging from
the Mud (Trismosin, Splendor Solis)
Here we see a man emerging from the mud, and being greeted by the figure
of an angel with a star on her head. We can recognise in her Divine
Wisdom, She who presides over the Great Work of alchemy. Around the
border of the picture are all the images of nature, plants and flowers,
birds, monkeys and stags. As, through the use of their imagination,
the alchemists watched the matter of their psychic life transform in
the mirror of the alchemical retort, they experienced the immense mystery
of what they were witnessing, expressing it in images such as this one.
They realised that they were assisting spirit in its evolutionary effort
of bringing itself to consciousness on this planet over aeons of earth
time, leading its creation back to the source. They discovered through
a gradual process of illumination, the fact that one divine spirit was
at work in all forms of life and in human consciousness as well. They
sought to rescue this hidden spirit from its buried state within matter
and themselves. In accomplishing this double act of redemption, they
became the sons and daughters of Divine Wisdom, inheritors of the true
philosophical gold. And they called themselves the ministers, not the
masters of the stone, their lives illumined and guided by the divine
Intelligence eternally pouring forth the waters of life. The
Buddha seated on the
coils of a great serpent with 7 hoods (National Museum, Bangkok)
This is an image on an enlightened man who is totally at one with instinct.
It is an image of the completion of the Great Work in the eastern tradition.
Nothing is excluded, nothing rejected. I return to this image whenever
I feel out of touch with my instinct and it restores my sense of balance,
reconnecting me with the depths of myself.
Completion of the Great
Work (Johann Daniel Mylius, Opus medico-chymicum 1618)
Here is an alchemical and kabbalistic (many alchemists were kabbalists
and vice versa) image of the completion of the Great Work. Here is shown
the balance and relationship between spirit and nature, between the
masculine and the feminine, between mind and soul. The process of alchemy
draws us beyond current definitions of masculine and feminine to relationship
with the divine ground. This universal yet immanent Holy Spirit is the
flow of blood in our veins, the flux and flow of our thoughts and emotions,
the powerful compulsion of our instincts and the miracle of our integrated
bodily processes. It is the invisible matrix of relationships in which
our lives, our very being, are embedded.
Mercurius (as image of
spirit in the sea of the soul)
Many years ago, way back in 1943, my mother received channelled
messages that said that she and her companions must find "The Dream
of the Water". We hadn't the slightest idea what this meant. Could water
dream and if so what was the dream? At that time, we knew nothing about
the soul and did not know that the sea was an age-old image of the soul
- not soul in an individual, personal sense, but soul as a great cosmic
sea of being, a hidden dimension of reality. It was only when I discovered
alchemy through Jung's work, that I realised that the divine water spoken
of by the alchemists referred to this invisible sea of soul that is
the ground of our consciousness. The messages also told us to search
for a stone that was buried at the foot of the Tree and to find our
way to the Holy Mountain. Later, on a long journey to the East, I discovered
that the Holy Mountain is perhaps the most important image in Hindu
mythology and that it symbolises the centre of the universe. As for
the stone buried at the foot of the tree, we took these images literally
and began digging at the roots of various trees in our garden. But slowly
it dawned on us that the messages were talking about a different kind
of stone and a different kind of tree. Eventually, we realised that
the stone we were told to look for might be the Grail itself, since
this was one of the symbols or images of the Grail and that the tree
was the Tree of Life (Kabbalah). But the Grail was also described as
a vessel, a cup or a chalice. So where might we find it?
After many more years of
search, and then writing The Myth of the Goddess with my friend, Jules
Cashford, we discovered that stone, vessel and tree were ancient images
of the goddess and that the goddess herself personified the great cosmic
Web of Life as well as the hidden territory of the soul. And that both
the Grail legends and alchemy had served as a vessel for holding and
transmitting this ancient knowledge of the soul and the shamanic ways
of opening to awareness and connection with it that had been all but
lost over 4000 years. (the golden chain of teachers of the wisdom tradition
who belonged to what was called the catena d'oro)
Cecil Collins' painting
"The Voice"
So, in our book, we wrote this about the Grail: "What is the Grail
then, but the inexhaustible vessel, the source of life continuously
coming into being, energy pouring into creation, energy as creation,
the unquenchable fountain of eternal being? But this great fountain
of soul life needs to be linked to the place in each one of us where
life continuously flows into being as our life, and to the spontaneous
outpouring of our individual heart in all the ways that we connect to
others and to the life of the earth. The Grail now, as then, is a symbol
that can offer us a new image of the human being released from bondage
to tribal custom or religious dogma, serving the world through love
and compassion, following wherever the heart leads, wherever the heart
responds to something that overwhelmingly attracts it, until at last
we find ourselves re-united with our source."
Robin Baring's painting
"the Wave"
I will end with this painting as a tribute to my husband. As you
can see, it carries the same imagery of divine Presence within the sea
of the soul. And I would like to say that, in my view, each person's
path to this revelation is unique. There is no one way that is right
for all. We have to trust our instinct and follow its guidance because
the emergence of each person's understanding contributes to the emergence
of the new values - the emergence of the Young King. It is this process
at work in the soul of humanity which may heal the Wasteland.